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Blue Giant [N0handles] vs NF

Creato Il diff non scade mai
1164 rimozioni
806 linee
1190 aggiunte
864 linee
[N0handles]
NF


Aw man
Uh-oh…
You can't really hear the sound too well in the snow.
I can't hear the sound in the snow.
I will...
I…
I will... I will...
I will…
... become a jazz player.
become a musician…
I'll become one for sure.
I'll become the greatest jazz musician\Nin the world.
I will be the greatest jazz player in the world.
What? You're alone too?
Oh? You're also alone?
Do you have friends over there?
If I follow this road, will I find your friends?
I'll make it… I'm sure.
This is gonna work. I know it.
I'm going now.
Then, I'll be off.
Okay. Ayaka, come on.
Yeah.\NC'mon Ayaka.
This is from Ayaka.
Here, it's from Ayaka.
Rice balls? Thanks.
Oh! Its rice balls! Thanks
What's this?
And this is?
That's from me.\NEat something when you get there.
Thats from me. Make sure you get something to eat over there.
Thanks, big bro.
Masa ... Thank you.
Heh! He might be back next week.
Knowing him, he'll probably be back in a week.
He won't.
He's not coming.
He's gone for good.
Brother isn't going to come back.
What's this?
Huh, what's this?
YOU'RE A BIG DUMMY.\NAYAKA
Letter: "Dear Older Brother, Stuuuuupid From Mayaka"
What's with her?
What's with her?
Where was Shinjuku Sanchoume Station again?
SHINJUKU BUS TERMINAL
Woah, he's sleeping.
Where's Shinjuku 3-Chome?
Tch, put down your bags.
Huh? He's asleep?
Oh, I'm sorry.
Put your bag down.
I'm sorry. I'm sorry.
Sorry. I'm sorry.
Can't do it here.
Can't play here.
Here's also no good.
Not here either.
Oh crap!
Oh, no!
Where's a good spot?
Where can I go?
Wow...
Wow… Just how many people live here?
There are boatloads of people here.
You must be hungry too.
You seem hungry.
Perfect.
Here!
I'm finally in Tokyo.
I made it at last...\Nto Tokyo.
Yes? Dai!
Yes? Dai??!
Hi, Tamada. I got your address from Taizo.
Yo, Tamada!\NI asked your Thai friends for your address.
Long time no see!\NWhy're you in town, anyway?
That was during our graduation ceremony!
To play jazz, of course.
Whats up all of a sudden?
Yeah, of course.\NWhat's with the huge backpack?
I've been taking advantage of this!
Let me stay with you for a few days!
Oh yeah!
Huh? You should've called\Nand asked me first.
But what's with that luggage?
You might've said no if I called first.
Please, Tamada! Put me up for 2-3 days!
Come on in.
Huh!? Normally people let you know before coming to move in?
Thanks, Tamada.
Well, if I contacted you before, you could've refused, right?
Oh, yeah! Am I a pro or what?
Heh, C'mon in.
I'm finally getting used to that stove.
Thank you, Tamada.
Thank you for the food.
Woah-oh!
Yum.
Am I a professional or what?
What do you think? Good, huh?
Nah, I'm pretty sure I just got really good at this.
-Yeah.\N-I knew it.
Let's dig in.
-Are we married?\N-Huh?
It's so good!
If we're not married, are we a couple?
How is it? Is it good?
You've been here for two weeks already!
It's good..
You're getting good at the Tokyo accent.
Right?!!
What I seek in Tokyo is freedom!\NAnd girls!
Are we married?
A great time on campus!
If not married, then what? Lovers living together?
That's why I studied hard\Nto get into the college of my choice.
It's already been two weeks!
But I'm spending all my time\Nwith a lame guy like you.
Tamada...
I didn't leave Sendai for this.
You're accent is entirely gone!
Okay. I'll find my own place\Nby the end of this month.
It's like you're from Tokyo!
But will you really?\NYou say that but never do…
The reason I moved to Tokyo was freedom.
Stop practicing all day long\Nand look for a place, okay?
And Women!
I will.
I've planned the perfect campus life.
Now, eat before it gets cold.
That's why I endured hell to ensure my escape from there.
What? 80,000 yen for this tiny apartment?
But yet, I'm still stuck spending every single day with useless you.
I could rent a house in Sendai.
Why did I even leave Sendai?
The prices are the same as the websites.
Alright!
Oh! 25,000 yen?
I'll find another room within a month.
PARKING 25,000 YEN/MONTH
That's fishy, from the way you say it
A parking space…
Don't spend all day every day practicing!
How much does this weigh?
Seriously! Make it happen
I'm jazzing…
I'm telling you I get it.
Good job! Come work for us again.
Now, eat up before it gets cold!
Thank you!
Woah, one apartment goes for 80,000?
It's finally here!
Sendai is way cheaper, huh.
Yes!
I should really find some work.
10,000 yen to Tamada…\NThat's enough, right?
Oh!? 25,000 yen?
I'll go listen to Tokyo jazz tomorrow.
C-Construction work....
He's so loud.
How many kilos is this thing?
T-This is for jazz.
You really worked hard today.
We'll count on you again
Thanks!
Yes! Yes! Yes!
Alright!
For Tamada, 10,000 should be good.
Tomorrow, I'll see some Tokyo jazz.
So loud.
Hey, Dai.
Hey, Dai.
Just for today, I'll let him off the hook.
I'll let him off the hook today.
"Tamada-sama, here's some rent. Sorry for everything. I love you! - Dai"
RENT MONEY. THANK YOU!\NI LOVE YOU. DAI
This place is it.
I'll try this place.
Excuse me.
Yes?
Welcome.
Ummm... Is there today....
Having a drink?
Oh, I'll have an Oolong tea
Okay.
Here you go.
Ah, thanks.
Excuse me... is there a live performance tonight?
Tonight, there's ... nothing.
Do you like it?
Huh?
Huh?
Do you like jazz?
Good evening!
I do.
Yes?
I love it, jazz.
Hello.
Um… Is there…
What would you like to drink?
-Uh… Oolong tea.\N-Sure.
-Here you go.\N-Thanks.
Is there a performance today?
Today… Nope.
You're a fan?
Excuse me? You like jazz?
Yes. I like jazz.
Is a record okay?
Is a record okay?
Yes!
Sure.
We haven't held any live performances lately
I don't book live musicians these days.
Was it still raining outside?
Was it still raining outside?
Yes. It was spotty.
Yes, a little.
Wow
I see.
If this person belives in jazz...
Wow. She believes in jazz.
Woah!
Whoa! Great sound.
What a sound!
He's so cool!
Ahh So cool!
-Sonny!\N-You know this music?
Sonny!
It's Sonny, but…
You're familliar?
Sonny Stitt, not Rollins.
Well, Sonny is Sonny.
I love it.\NThis song is like today's weather.
It isn't Sonny Rollins, but Sonny Stitt.
You wanna hear live music, right?
Isn't it nice?
Go to this place. They're still playing.
The song is kinda fitting for the current weather!
Thank you!
Okay, so you want to see live music, right?
How'd he know that I chose this album\Nbecause it suits the weather?
I suggest visiting this place.
JAZZSPOT\N251
They're still having shows.
Whoa, who is this guy?
Oh! Thank you very much!
He's trading with the guitar?
That boy... How did he know?
They're awesome!
How did he know I picked based on the weather?
Sawabe! You were terrific!
Just who are these guys?
Thank you.
Call-and-Response with the guitar and piano?
You're still young but very good.
So cool!!
You were able to hold your own.
Sawabe-chan!
You're flattering me.\NI was struggling to keep up.
That was incredible!
You didn't even use both hands.
Thank you very much.
I hope you'll join our tour.
So young and talented.
Let's make you famous.
You revitalize the rest of us. And even make us look inferior.
Let me think on it.
You're too kind.
There are amazing musicians in Tokyo.
I was desparate to join you.
-Huge!\N-Huh?
Coming from someone with a pair usable of hands.
It's huge!
Seriously consider it.
Wait… Excuse me?
We'll get your name out there.
Is it that big?
Okay, please let me think on it.
-Alto? Tenor?\N-What?
There's some really talented people in Tokyo alright.
That callus. You play sax, right?
So big!
Yes! This, huh?
That's really huge!
Um…
W-W-What are you saying suddenly?
Yeah?
Was it really that big?
Do you have a minute?
You an Alto? Tenor?
-Here you are.\N-Thanks.
With the callous on your thumb, you're a sax player right?
I am Dai Miyamoto from Sendai, Miyagi.\N18 years of age.
Oh you meant this.
A name befitting a big penis.
Umm hey.
My apologies about that.
Yes?
I'm Yukinori Sawabe.
Can we chat?
So which do you play?
Here.
Thanks.
My name is Miamoto Dai.
I'm from Sendai in Miyagi Prefecture
I'm 18.
Ohh, that's a name for someone with a big dick.
I apologize for misunderstanding.
My name is Sawabe Yukinori.
So, which sax you play?
Tenor.
Tenor.
I moved here straight after high school and play while working part time.
I came here after high school\Nand play while working part time.
What about you, Yukinori?
How about you?
College, but I don't go at all.
I'm a college student.\NBut I never go to school.
College?! With that playing?
A college student? With such skill?
Ho ho? What do you mean?
What kind of skill?
I only heard one song, but ..
I only heard you play one song,
the elegance in your hands,
but those crisp low keys…\NThat accurate tempo and rhythm…
the speed and tightness of the rhythm,
A melody line unlike any I have heard.
a melody I never heard before.
It was simply awesome.
In other words, it was all great all at once.
What did you think about the other guys?
What did you think of the others.
From an amateur's viewpoint,\NI thought they were excellent.
I'm not really one to say, but
Especially the guitarist.
they were all great.
-They're no good.\N-Huh?
Especially the guitarist, he had a good presence.
Jazz is dying. It's on the brink of death.
- That's no good.
If old guys like them
Jazz is currently in a recession.
use the same old techniques\Nand gloat like it's real jazz,
It's on the verge of death.
it'll keep on dying.
They're at a level where they revel in their old tech, spinning around endlessly in their circles and labeling it jazz.
But is it not people like them\Nwho are carrying on jazz?
At that rate, jazz will die.
They're not helping.
Still, aren't they the ones who introduced us to jazz?
Not many people listen to jazz.
That is mean-ing-less.
That's why I want to win\Nwith the real sound.
There aren't many people listening to jazz.
"Win"?
That's why I want to win with my true sound.
Lead the music industry in Tokyo.
Huh, win?
Is your goal to be\Nan obscure jazz musician?
Playing music in Tokyo is like standing in a battlefied.
I shall be the greatest in the world.
Is your goal to introduce new people to the almost-dead jazz?
-Greatest in the world?\N-Yes.
I am going to become the number one jazz player in the world.
Greatest? How, specifically?
Number one?
I shall express\Nevery feeling, emotion with sound.
Yes.
You shouldn't say that so lightly.
Can you clarify what that means, specifically?
You'll rub people the wrong way.
Emotions. Speaking all of my feelings through sound.
I do not say it lightly.
That's not something you should say lightly.
Um… Would you team up with me?
It would piss me off.
You mean form a band together?
I don't mean it to be simple.
Um, Would you mind forming with me?
Form? You intend to form a band with me?
Yes.
Yes.
I haven't even heard you play.
I've never even heard you play.
Please give me a listen. After that you can decide.
Then please do. You can decide thereafter.
If you suck, there's no way we'll form a band.
I'll say no if you suck.
It-It'll be okay, I think.
You won't be disappointed.
Well, it's a matter of talent.
You either have talent or you don't.
I have no time for those who are no talent, all hard work.
Without talent,\Nno matter how much you practice
What if I did have talent?
it's a waste of time.
I'd make you a stepping stone, full stop.
What if I have talent?
A stepping stone.
I'll use you as a stepping stone.
A jazz band, like rock bands, dont stay together forever.
A stepping stone?
They use each other as stepping stones to boost their names.
Unlike rock, jazz bands\Ndon't stay together forever.
Isn't that what it means to form a band?
We'd use each other\Nas stepping stones to gain fame.
Also, you quit with the formal speech.
Isn't that what it means to team up?
I'm also 18, the same age.
And stop speaking so formally with me.
18 years old with that skill?!
I'm also 18. We're the same age.
Take Two?
What? You're 18 with all that skill?
I don't get it.
-WHERE ARE YOU?\N-HERE!
Oh Yukinori! You came!
Take Two? It's hard to find.
Dai, what's with this place?
Yukinori, thanks for coming.
This is Akiko-san's bar.
What's this place?
I spoke with her and she'd let us play here.
Akiko-san's shop.\NShe's letting us use it today.
Hello.
Hello.
Hi, I'm Sawabe.
Hello. I'm Sawabe.
Okay! Let's do this!
Let's do it!
Wait a minute!
Hold on. Let me at least drink some water.
Let me at least have some water first.
How long have you been playing?
Alright then, so how long did you've been playing for?
A little over three years.
Just about 3 years.
What? Just three years?
Th-three years?
Three years of dedicated practice.
Yup, 3 years exactly.
I get it. Brass band in high school?
So that means you just played in the school band?
No, I did basketball.
Nope, I played basketball
I practiced alone by the river.
I always played by myself along the river.
Until I did lessons the last six months.
In the last 6 months, I took some lessons though.
Are you serious?
You've gotta be kidding me.
How about you?
How long you've been playing, Yukinori?
-Four years?\N-Since I was four.
4 years?
Oh, my gosh! So you've been playing\Nfor 14 years. Wow.
Since age 4.
Dai, if you suck…
Woah! That means you've been playing for 14 years, wow.
I know. That's fine.
Hey, Dai. If you suck...
I'm gonna use that piano.
Yeah, that's fine.
Go ahead.
Okay, Akiko-san, I'm going to borrow that piano.
Don't bother.
All yours.
I'll play alone.
No, I'm good.
I'm sure you can judge me\Neven if I play alone.
I'll play by myself.
We can play together once we're a team.
You should be able to tell if I'm good just by my playing alone.
What do you say? Are we a team or not?
Whether or not if we're able to form a group or not.
Yukinori?
How was it? Is it good enough to form a group with?
I see… Go home for today, Dai.
Hmm, Yukinori?
Huh? Why?
I see, go home for now, Dai.
Just go home. I'll call you.
Huh!? What's that supposed to mean?
-But--\N-I need some time.
It's okay. I'll contact you again soon, alright?
Thank you, Akiko-san.
But still
Sure.
All I'm saying is to give me some time.
Yukinori, call me.
Akiko-san, thank you very much.
Okay.
No problem.
I'd never heard him play either…\Nbut he's amazing.
Yukinori, you better get in touch.
Damn it… Talent?
Yep.
No… Just three years…
That was my first time hearing him, but that boy is good.
How much… Just how much did he practice?
Damn it. Talent?
Yes, when he was a senior in high school.
No, but with just 3 years?
I taught him for about six months.
How much ... just how much has he been practicing?
He taught himself before he came to me.
It likely was his 3rd year in high school.
Though he was awful at first…
He told me that it was he's been playing sax for 6 months
his sound was fearless.
Before me, he seemed self-taught.
It only takes 30 minutes to learn\Nhow to play do-re-mi on the sax.
He was no good to a level where you could make a video of it.
But it takes years and years\Nto make really good sound.
But he played a sound so surprising, and new to me.
It's a lonely process.
Anyone within 30 minutes can learn to blow the sax.
There are no exceptions.
But to make it sound good, it will take a huge amount of time.
One winter night,\NI saw him practicing alone
It's a lonely road.
by the river in the freezing cold.
That goes without exception.
I thought, "This guy is crazy."
One winter, by the side of the river in the freezing cold,
"He's out of his mind."
I saw him playing by himself, and thought:
"He's one cool guy."
I thought: "This guy isn't normal. He must be insane ...
What was that?
This guy is pretty cool."
Was it cool?
What was that just now?
No. You totally ignored the chord!
Did I play something cool?
I was on a roll.
Nope.
Huh? You're not playing alone anymore.
You're deliberately playing completely wrong.
I know. But can't you comp?
No. I'm just going by feel.
Everything outside the frame is noise!
It's always those who only play by themselves.
Listen.
But still, shouldn't you be trying to accompany me.
Let's say this is our framework.
I'm saying that if you're outside the pocket, you'll only get bad notes.
If you stay within it,
Listen closely.
go as crazy as you want,\Nand it won't be noise!
Okay so, letting this serve as our framework.
Wow…
As long as you stay within the framework...
We need to add a rhythm section soon.
You can go as crazy as you want - without bad notes.
We need one, huh?
Woah.
Of course. The drums are like a car.
We really need a rhythm section.
As passengers in the car,\Nwe have to match its speed.
You think so?
A jazz drummer can transform\Ninto all kinds of cars.
We clearly do.
We need someone to rein you in.
The drums are our vehicle.
You think?
We ride along according to their speed.
Come on! Let's try it again!
The type of band we become depends on the drummer.
Okay!
Along with help tame your crazy playing.
The economy temporarily improved\Nwhen they took Keynes' advice
That so?
and increased public investments.
Alright, we'll go again.
But the New Deal was\Nan unsuccessful policy.
Yeah!
-Pass the ball!\N-Stop him!
Sync up! Sync up!
Hey! Over here!
Hey, I'm open!
My super long shot!\NShould we take a break?
Ahhh, my super long shoot!
Not yet!
Is it break time yet?
-I'm tired.\N-I need a drink.
Nope, not yet.
About that shot you took…
Man, I'm tired. And thirsty.
Your high school was\Ntop eight in the prefecture, right?
Senpai, about that shot you made.
Let's just enjoy the sport.
Oh, Tamada, you're high school team was top 8, right?
-Yeah, but…\N-The objective of this club
Let's take it easy.
is to foster a healthy body and spirit\Nbefore we join the workforce.
No, but...
Right…
This club is mainly for getting some exercise before we're sent off into society.
Dai! Practicing hard, huh?
I see.
Hey!
You're really going at it!
I thought you were gonna bring\Na girl home tonight.
What?
You idiot.
Didn't you have plans to take home a girl from your club tonight?
I brought leftovers.\NMainly deep-fried food.
Dummy.
You are one impressive dude.
Here's some leftovers from our drinking party.
I quit the club.
Wow, leave it to Tamada!
Huh? Something happened?
What a dependable guy
Nothing serious.
Hey so I've left the club.
I'm surprised by your dedication.
What? Something happen?
You came all the way to Tokyo,\Nbut all you do is practice here every day.
No, not really.
My mind's made up.
Anyways, you really come here a lot.
I'm gonna be the greatest jazz musician\Nin the world.
After coming to Tokyo,
Hey, I have a favor…
Day after day practicing in a place like this...
This is jazz?
It's because I've decided.
Thanks, Tamada. Great rhythm.
I said that I'm gonna be the worlds greatest jazz player.
-It's not what I thought.\N-Huh?
Oh yeah, could you do me a favor?
I don't know how to put it but…\NIt's so intense.
Did I just ... jazz?
I love jazz because\Nit's passionate and intense.
Thanks, Tamada.
Especially the solos.
Good rhythm on the can.
Solos?
It's different from what I imagined.
The improvised parts.
Don't know how to say it, but
You don't think with your brain.\NIt's free and deep…
it's rough, I guess.
In any case, soloing by top musicians\Nis so amazing.
The reason why I like jazz is because its intense and rough.
Jazz is kind of cool.
And the solos are especially nice.
I'm happy to hear you say that.
Solo?
Yeah?
It's an improvised section.
Most people don't understand jazz.
You don't have to think
But if it moves you,
It's a kind of freedom. There's a kind of depth.
I'm sure it'll move other people too.
Anyways, the solos of first-class players are so cool.
Dai…
Jazz sounds kinda fun.
Do you think I can be a drummer?
Having you understand makes me so happy.
Wow! Drums are so cool!
Really?
There're so many.
There's a lot of people, like you, who don't know about jazz.
Which is the main drum?
If the jazz got through to you, then others will be able to understand it, too.
-Try the snare first.\N-This?
Hey, Dai.
-Dai…\N-Whoa!
Would I be able ... to play the drums?
Who's that?
Woooah! The drums are so cool!
There's a lot of them, though.
Which is the main one?
First, there's the snare.
Oh this is it.
Dai. Hey Dai.
Who the hell is he?
My landlord, Tamada.
My landlord, Tamada.
Tamada
Tamada… Do you know who Art Blakey is?
Do you know about Art Blakey?
Accel Brake?
Huh? Accel Brake?
Oh, this.
Oh this.
You know this is a critical time\Nfor us, right?
Wow
Yeah.
So, Dai... We're at an important phase here.
We have to find an amazing drummer\Nthat can rein you in, right?
Yeah
So why did you bring this idiot?
In order to achieve your delusion, we need an incredible drummer, right?
Don't call me an idiot, punk.
Then why did you bring this idiot?
If he kicks me out,\NI'll have to move in with you.
Who the hell you callin' idiot, you bastard?
Okay, okay. Yes. Step on the hi-hat pedal.
Tamada could kick me out, so I don't have a choice.
It's closed now. Try this rhythm.
K, so you close the hi-hat like this.
Now it's closed.
Then try this rhythm.
O-Okay.
Like this?
Like this?
Yep, just keep doing that.
Maintain that rhythm. Okay, let's try it.
Okay, let's tie it together.
But just today, okay?
But, just for today.
They're not even sweating.
He isn't breaking a sweat.
Damn it! I have to focus.
Damn, I gotta focus.
That's all, Tamada.
Tamada, that'll be all. Good work.
Thank you.
I wish to speak alone with Dai, so please see yourself out.
You can go now. I need to talk to Dai.
Thanks, Dai
Thanks, Dai.
So, Dai, why bring along a complete beginner?
Hey…
Well everyone starts out a beginner.
Why did you bring such an amateur?
And?
Everybody's an amateur at first.
Would you say "no" to someone who wants to play music?
So?
Are you denying his desire to play music?
Tamada?
Tamada?
Sup
Hi.
- Sup
Hi.
Could you close it? It's bad for the vibes.
Lower it. Don't wanna\Nbother the neighbors.
It's nice ... that he wants to play.
I think it's great that he wants to play.
Tamada-san, you need to grip more softly.
Tamada-san, loosen your grip.
Yes, sensei.
Yes, sir.
Ah Hanon-chan, you're playing well! Just like Kendrick Scott!
Hanon, you're just like Kendrick Scott.
No, I like Keith Moon!
I wanna be like Keith Moon.
A man after taking out his 36th loan.
MEBAE MUSIC SCHOOL
There's no backing out now.
A 36-payment loan to make a man of myself.
Well, not like I intend to.
I can't back out now.
Oh, it's Sawabe!
Not that I intend to.
Been a while!
Hey, Sawabe!
Good work, everyone.
-Long time no see.\N-Hi.
About tonight's live, would you mind showing?
Will you join our next performance?
It'll be a trio with me, you, and Yamaguchi-san
You, me and Yamaguchi as a trio.
I'm actually just looking for a drummer.
I'm looking for a drummer.
So is Yamaguchi ... no good?
Why not Yamaguchi, then?
I just need a drummer.
He's all we have, huh?
What?! So that means you're short on talent?
He's not good enough?
You wouldn't happen know an incredible drummer on this campus?
Do you know any great drummers\Nat nearby colleges?
Oh yeah, specifically one on my level.
Someone at my level.
In the last 4 days, what could you have possibly done?
You think four days make a difference?
I took some lessons.
I took lessons.
And so?
I see. And?
There was a middle schooler, but I was the worst one.
There were elementary schoolers there.\NBut I was the worst.
But when I played with Dai, I thought jazz was fun.
But when we played jazz together,\Nit felt really good.
Tamada, how's this speed?
Tamada, how about this tempo?
I think I can manage.
I think I can do it.
Yukinori, this should work right?
Yukinori, what do you think?\NWe can comp to him.
Let's jam
Whatever you say.
Ok ok.
I get it now…
I get it.
You're a softie who adapts to the needies.
Aren't you kind, Dai-chan.
Tamada, you were awesome!
You can even accompany the weakling.
I tried…
Tamada, you're amazing!
Tamada, I can't accept you in the band.
Maybe I've progressed a little.
Yukinori…
Tamada, having you as an official member would be impossible.
Jazz isn't just technique\Nand all that difficult stuff.
Yukinori
It's about being moved by the music.
Jazz isn't like that.
I wasn't finished.
I think it isn't about technique or any of that hard stuff...
I can't accept you now,\Nbut you can practice with us.
as long as you can move people, that's enough
Really?
I wasn't finished speaking.
Yay!
He can't be an official member, but he can practice with us as much as he likes.
Mom? Yeah, I'm fine.
Is that for real, Yukinori?!
Can you talk now? Are your students gone?
Alright!
After the 8 beat and the 16 beat\Non the drums, what do you teach next?
Oh, mom.
Okay. Yeah. Right. The fill. Then?
Yeah, I'm well.
Isn't this that cool complicated groove?
Is now okay? Did your students leave?
It needs to be brushed up.
So, what should I teach a drummer after an 8th note and a 16th note.
Let's perform live!
Oh fill-ins.
No way! Definitely no.
Handwritten music has such a cool taste, doesn't it?
He's been practicing\Nfor three months already.
But it still needs some brushing up.
Listen. He's not an official member yet.
Let's play it live!
Plus, he'll be too nervous\Nto perform on a stage.
No way. Absolutely not.
That's true…
Tamada's been at it for 3 months now. It's about time for him.
We don't have time.
Remember, Tamada isn't an official member.
We're not even a band yet. What's the use?
Moreover, can a 3-month newbie start playing live?
We'll just embarrass ourselves.
That's a no-go.
And who'd come listen to us\Nnameless musicians?
There's no time.
You never know.
If we went without a band formed, nothing would come out of it.
I want to see what happens to us\Nthe way we are now.
We'll just embarrass ourselves and it'll be over.
Just once!
Who'd even come to see a nameless group.
Please let us perform just once.
You won't know until you try.
I'm running a business here.\NI need a crowd-puller.
I want to see what we can do in our current state.
Well, we have two college students.
One time. Just one time please let us play!
They have lots of friends in their clubs\Nwho have other friends.
We're running a business here.
I do want more young customers…
It's important to know how many customers you can bring in.
Any day of the week's fine!
Ahh, umm.
Please!
We have 2 college students! They have clubmates they can bring in, and they're young
Jazz music! Jazz music!
Well, we do want to increase our pool of younger customers.
Come and enjoy! Lots of jazz!
Thank you!
JAZZ BY 18-YEAR-OLDS
Excuse me!
Excuse me!
Whatever you can give, we'll take.
Please!
We're playing jazz!
We're playing jazz.
Please
We're piling jazz high!
Oh, thank you very much!
Yes?
Yes?
It may be a weird question, but what is the percent chance that you can make it tomorrow?
May I ask what the chances are\Nof you coming to see us?
Eh, this is tomorrow?
Huh? It's tomorrow?
Ahh, I haven't really listened to jazz before...
I've never listened to jazz before…
Maybe 10%?
Like 10%?
10%...
10%? Thank you!
Thank you very much!
We'll give it our 100%.
We're going to be putting in 100%
No, 120%! I hope to see you there!
no 125% into our performance.
I like your spirit.
So please come!
-Thanks!\N-What was that guy?
Wow.
-We'll be waiting!\N-A con artist?
Thank you very much!
How embarrassing…
- What's with the commotion?
JAZZ HOUSE SEVEN SPOT
We'll be waiting!
He's got no talent for this kind of thing.
How embarrassing.
Here, huh?
Zero talent.
Look at all these fliers.
Huh, so it's here.
Ours isn't here, huh?\NWe're being shrugged off.
It's all pinned up.
Hi!
I guess this is our start.
Sorry. I couldn't get out of work.\NHow many people are here?
How underwhelming.
Three regular customers plus the manager.
Yo.
I told you. People don't waste time\Non nameless musicians.
Sorry, work went late.
Yukinori, we're so cool.
So, how many people showed up?
Tamada, we're gonna play jazz.
Three regular customers, and the owner makes four.
We are so totally cool.
Welp, people dont have time for some nameless group.
Hey, Yukinori.
We're so cool.
Hey, Tamada. We're about to go play some jazz.
We're so unbelievably cool.
Let's go.
Let's go.
Huh? They're all young.
They're so young.
Didn't you see the poster in front?
Didn't you see their flier?
It said they're 18-year-old jazzers.
It said, "Jazz by 18-year-olds."
Here is your whiskey.
Here's your drink.
Thanks.
Thank you.
I'll be burning this stage in my memory.
I'll never forget\Nthis performance tonight.
The drums seem off. It's like he's already at his limit.
One, two, one, two, three.
- But, the other two.
The drummer is off. He's in over his head.
The sax and piano.
Yeah. But the other two…
They're 18 years old?
The sax and the piano… They're 18?
What a solo.
Incredible solos…
So this is jazz?
This is jazz?
Tamada,
Tamada.
Now, Cheers!
Cheers!
We start off celebrating our first show at a vending machine?
Our first wrap-up party\Nis at a vending machine.
Three audience members won't earn us anything.
Only three customers, so no pay.
That's why I'm saying you're method is wrong.
Distributing fliers\Nwas the wrong way to advertise.
Why the hell are you handing out flyers? This is Tokyo
This is Tokyo, remember?
But still.
Yeah, but…
I'm sorry.
Sorry.
My drumming was shit.
I'm a crappy drummer. I held you two back.
I was dragging you guys down.
Tamada…
Wait, Tamada.
I don't deserve to be in this band.
I think I have to leave the band
-135 times.\N-Huh?
135 mistakes.
The number of mistakes\Nin the first three songs.
Going into the third song you made 135 mistakes.
I stopped counting after that.
After that I stopped counting.
I'll be honest.
What I'm saying is...
You weren't as bad as I thought.
It wasn't as bad as I tought.
What?
Wasn't it, Dai?
Right, Dai?
Yeah. Whatever others may think...
Yeah.
It was a good performance.
No matter what anyone says,\Nit was a great performance.
Oh crap! I gotta go to my next job.
Uh-oh. I'm late for work.
- Me too! Later Tamada.
Me too! See ya, Tamada!
I told you already, that it's too early.
I told you he wasn't ready.
For everything right now, it is what it is.
It's out of our hands.
- Huh?
Tamada just needs more practice.
It's fine as long as Tamada's working hard.
We shouldn't make him feel so bad.
For our sake, is that an excuse for him to make that face?
He was smiling.
He was smiling.
That was a forced smile.
A cold, fake smile.
Working hard is a good thing.
We practice for ourselves, don't we?
But we aren't working hard for our own sake, right?
Tamada was smiling.
But Tamada still smiled.
I have faith in him. He'll practice hard.
- Huh?
Hey, Dai…
I believe that he can pull through.
Drop dead, will you?
Dai, do me a favor and just die once.
What just happened?
Why did they do that?
I'm not being forced into this.
That's right.
I want to do it!
I'm not being forced to do this.
JASS' PROFILE
I chose to!
I cringe whenever I think about\Nour first performance.
I still get sweats thinking about my first performance.
It was also Dai's first gig\Nas a professional musician.
That was also the first performance in Dai's career too.
He played the sax\Nwith every fiber of his being.
Yes, he played with all his might.
He was all in.
I couldn't always bring out my max myself.
Yukinori and I latched on to his energy.
Because he was on full blast, Yukinori and I followed along.
That's how we arrived\Nat our final performance.
It's what brought us to our last performance together.
Yes… Those 18 months\Nwere the best time of our lives.
Yes, that year and a half was some of the best times in my life!
I still brag about it\Nto my business associates.
Even now, I brag to people:
Like, "I made music\Nwith the great Dai Miyamoto!"
"I performed with the Miamoto Dai during his greatest performance"
Ta-da!
Ta-da!
We're JASS
BAND NAME!\NJASS
JASS?
It's JASS.
So our name is JASS!
JASS…
How many misses today?
-Hmm…\N-JASS, huh?
80?
How many mistakes did I make today?
Okay, one more time
Eighty?
"We're playing live!"
All right. Again.
Wooo! Amazing!
JASS OFFICIAL ACCOUNT
U-Umm ... Good evening.
OUR NEXT PERFORMANCE!
We're JASS.
Um… Good evening. We're JASS!
We're JASS!!
We're JASS!
Dai, how many people do you think came tonight?
Dai, guess how many people came today.
Ermm...
Uh… A lot?
A lot?
-Thirty-two.\N-That many?
Ugh, 32 people.
- That many?!
That's amazing!
That's amazing!
And with that, we get this.
And so… What do you think this is?
Could that be?
-Wow!\N-Is it…?
Yup, it's tonight's earnings.
-Yes. We got paid.\N-Thanks!
- Thank you very much!
Our first real pay…
Ahh, our first earned pay check as musicians!
How many mistakes did I make today?
How many mistakes today?
Thirty-eight big ones.\NTwice as many small ones.
38 big ones, and double it for small ones.
Why did you start playing jazz?
So why play jazz, Dai?
I started as a kid since\Nmy family runs a piano school.
My folks teach piano in the living room. So I've been exposed to it from a small age.
Fitting for a well-to-do Tokyo boy.
Classic wealthy Tokyo boy.
Huh? No.
Huh, what's that supposed to mean?
I'm the coolest Nagano native in Japan.
I'm a citizen from the coolest prefecture in Japan: Nagano.
So what about you? Why jazz?
That's not the case for you, Dai, isn't it?
Because jazz…
Why choose jazz?
is so hot and intense.
Becasue jazz is super intense and rough.
Other music isn't?
Are other genres different?
How should I explain it?
Different... Hmm...
Jazz is about emotions.
Jazz is the music of emotions.
Emotions?
Of emotions?
You use the melody to express\Nhow you feel at that moment.
Yeah, you put your feelings from some day, some moment into a melody.
It's different every day.
It's different every day.
For that reason, there's no limits.
So it's infinite.
You said that before about solos.
That soloing you mentioned, huh?
Dai. Isnt it time we set a goal for us three.
I think it's time we set a goal\Nfor the three of us.
Goal? Eh?
Goal? The three of us?
Wait, us three? That means Tamada's official?
You mean Tamada is…
Tamada, did you hear?
Did you hear that?
Hey, this one's burnt
Here. It's ready.
Tamada.
Tamada, you know…
What?
What?
You're really good at cooking meat.
You're good at grilling meat.
So it's here.
I knew it.
We're going to make it onto this stage.
We'll stand on this stage in our teens.
What's this called - SoBlue
What's this place? So Blue?
It's the number one jazz club in Japan.
The best jazz club in Japan.
This place is number one?
The best in Japan?
Tamada, how much was today's admission?
Tamada, how much was today's music charge?
- 2,000 yen.
2,000 yen.
SoBlue charges 10,000 yen.
It's 10,000 at So Blue.
- Really? Woah.
What? Wow.
They cap at 250 people.
And it seats 250 people.
You're kidding
Are you serious? In our teens?
If we're going to the main stage, we got a year left.
We only have a year left.
Then we go full force.
-We have to go all out.\N-Yeah.
- Yep.
Right?
Right?
I'll blow you both out of the water!
I'll knock your socks off.
I'd like to see you try.
Let's see you try.
You guys, would you be interested in a festival?
Are you interested in a music festival?
What's going on?
What?
I just got off the phone,
I just got a call
They told me we gotta play at a festival.
with an offer to play in a music festival!
- Festival?
A festival?
What festival?
Which one?
Katsusha Jazz Festival. They'll be holding it in a month.
The Katsushika Jazz Festival\Na month from now.
A festival for the revival of historic fundamentals of jazz.
A small event\Nto revitalize the neighborhood…
There's a pianist in one of the acts named Amanema.
The main feature is Act\Nwith a pianist called Amanuma.
He's pretty famous. Amanema Kousei is a known critic and often appears in media.
He's really famous.
Oh this person.
Kousei Amanuma makes critiques\Nand appears frequently in the media.
It seems like this is the main act.
Oh, this guy.
We open for them, so we gotta amp up the crowd.
Hmm… Act is the last band to play.
Then that means the stage is gonna be huge.
They're putting us right before them\Nto pump up the audience.
So this is our make-or-break point.
So it's a big venue…
- Make-or-break?
A win-or-lose situation.
If this is a festival, then there'll be lots of people in the jazz industry.
Win or lose?
If we get labelled as no-good by them, we'll never get called again.
A lot of people from the jazz industry\Nwill be there.
But still. There'll be lots of people who will hear our music.
If they think we suck,\Nwe'll never be invited to perform again.
This is our chance to grow our audience.
But we'll be able to play\Nto a large crowd.
Regardless, it's make-or-break.
It's our chance to increase our audience.
"Katsushika Jazz Festival Performer Briefing Session"
A win-or-lose situation,\None way or another.
Alright then, let start.
SHIBAMATA STATION
Here's to hoping new friends are made here.
Looking forward to working with you.
And now everyone. Cheers!
JAZZ FESTIVAL MEETING
Let's start the party.
Does everybody have a glass? Cheers!
Cheers!
Cheers!
Excuse me...
Someone recommended us\Nto the committee. Thank you.
Thank you very much for inviting me here.
It wasn't me.
No, no. it wasn't me.
Hello! Can I sit here?
Hello.
Sure.
Is this seat open?
I'm the one who recommended you guys.
- Oh, yes.
Are you serious? Thank you!
The one who recommended you guys was me.
Where did you see us perform?
- Oh really?!
I've never heard or watched you guys.
Thank you very much!
But I wanted a young, energetic band\Nand your name came up.
But where did you hear us?
The audience at music festivals\Nloves the youth.
No, I haven't seen you guys or listened to you guys.
Even a few mistakes would be fascinating.
- Huh?
PERKY TEENAGERS!
Just that when I looked for young active musicians, your name came up.
Whose music do you play?
Getting accepted into this festival at your age, it's a good thing.
Mostly our own.
Though you must be afriad of making a mistake.
Modal? Cool? Bebop?
So, who's songs are you playing?
Just everything jazz.
We're a band that plays originals.
That's so vague.
Mode Kei? Cool Kei? Mappu?
We give serious thought
Nope, we don't do those things. We play jazz.
to satisfy the needs of\Nthe diminishing jazz fans.
That's too vague
"We play jazz" is like admitting\Nyou're just greenhorns. It's teen stuff.
We have brains too.
You'll never make it big.
There needs to be a boundary to define for a jazz fan to identify.
You think so?
Saying you're just jazz, they can't tell if you mean one subgenre or another.
We're participating in this event\Nto spread our music.
That's not gonna sell.
When you hear it, you'll get it.
Do you think that's true?
So what? You think you can steal\Nour fans from us?
We may be just small fish in a big pond,
Yes!
but we seek those to listen to our music.
I like that spirit.\NTypical ignorant teenagers.
If they give us a listen, I'm sure they'll understand.
Amanuma-san.
Then what?
Yes?
You believe that our clients will become fans when they hear your music?
Please listen to our music.
- Yes!
I have to go practice. Goodbye.
That's cute, stupidly thinking you're main-stage material.
Huh? What a jerk.
Amanema-san
And?
- What is it?
I told him we'll turn Act's fans\Ninto our fans.
Please listen to our performance.
That's so you.
If you please, I have rehearsals. Excuse me.
Now we really have to win.
Huh? That Amanema guy gives bad vibes.
Let's start out by studying Act's music.
Then?
The sound the customers like?
Then I told him I'd make the other acts' fans become our fans.
Forget it.
That's like you.
If we cater to their taste,\Nwe'll lose our own music.
Well now we have to win no matter what.
What do you suggest?
First let's look into the other acts' music.
Getting stronger.
You mean find out what music the audience likes?
Each of us will empower our sound.
Trash that.
That's too vague.
If we mix in outside stuff, it's not going to be us.
We'll get stronger un-vaguely!
Then what do you plan on doing?
YUKINORI
Let's get stronger!
Yukinori? Dai went out.
Then together we'll make strong music.
Without his phone?
Isn't that too vague?
-He went jogging.\N-What?
Get physically stronger.
He's been running three hours every day
Oh Yukinori.
to strengthen his heart and lungs.
Dai left.
Are you serious?
He left is cell phone?
His sound is gonna be more powerful.
He went running.
What are you doing?
Oh did I not tell you?
I'm not that big of a dork.
For the past two weeks he's been running everyday for 3 hours
I stay cool and practice at home.
He said it's to raise the strength of his breath.
No matter how old or new,\Nno matter the genre.
Is he for real?
Good music is good music.
His sound is gonna get bigger.
KATSUSHIKA JAZZ FESTIVAL
How about you?
Wow! This place is so big!
Me, I don't do that lame stuff.
Yeah. Our biggest venue so far.
I'm cleverly holed up at home.
Yikes… I'm getting nervous.
Be it new or old, I just want to sound like any genre.
Don't worry.
If it's good, it's good.
I played in a bigger place\Nthan this in high school.
Woah, it's huge!
You're not helping.
Yeah, it's a size that we're not familliar with.
You went running, huh?
Oh crap, I'm getting nervous.
Yeah…
You don't have to worry, Tamada.
This is my only pair of shoes.
In high school, I've performed at venues several times larger than this.
-Miyamoto.\N-Hello…
Is that supposed to be comforting?
Good luck today.
Dai, you've been running.
Where's your stage outfit?
Yeah.
You're looking at it.
These are my only pair of shoes.
Oh… I see.\NYou are a young band, after all.
Miamoto-kun.
Just go out there and do your thing.\NWe'll cover for you.
Oh, hello.
Miyamoto, we got off on the wrong foot,
Looking forward to today.
but don't get so worked up. Relax.
Oh? Where are your stage clothes?
We'll really pump up the audience for you…
We'll appear like this.
so good luck to you too.
Oh really. Whatever then.
About 150 people in the audience.
Youth sure is something.
There'll be more for Act.
Well whatever, you guys seem ready.
-Tamada, focus.\N-Okay!
And that's just so we can clean house as the final act.
The audience is pretty excited.\NThey're waiting for Act.
So Miamoto-kun, for what it's worth,
I want a strong sound\Nstraight off the bat.
try not to over do it with your enthusiasm. Relax a little.
You want to change the lineup?
We're going to give it our all to pump up the crowd.
It'll really be high-stakes.
So make sure you guys ...
It's not about that.
... give it your best as well.
It's about affecting the audience.\NI'll go first.
Looks like about 150 people in the seats.
Let's kick off with "N.E.W."
More will come later in the act
Okay.
Tamada, remember to focus.
Tamada, comp the intro to Dai.
- Yeah!
Okay.
The crowd's already pretty hype, it is closer to the main act after all.
Thank you! We're Domino Five!
From the start, I want to make a big sound.
I'll give it all I got.\NI'm sure they'll get our music.
Wait, what? You want to change the setlist?
Kawakita-san.
That would make things more difficult.
You're from 21 Music.
Not what I mean. I just want to grab everyone's attention. I'll lead off.
I'm Isogai. I'm surprised to see you here.\NAre you here to see Act?
Then let's change the first song to "N.E.W."
No, I was asked to come.
Alright.
What's the matter?
Tamada, accompany Dai for the intro solo.
Are they nervous?
G-Got it.
Yeah!
Thanks! We're the Domino Files!
Yes! We did it!
Let's go all out. We'll definitely leave an impact.
I need water!
Oh Kawakita-san.
They loved us!
Oh you're from 21 Music ...
I'm sorry to bother you.\NI'm Isogai from 21 Music.
I'm Iso Gai. It's rare to see you.
Do you have a minute?
You came to view the acts?
MASARU ISOGAI\N21 MUSIC
Nope, I was called out here.
What's wrong? Is he nervous?
We really did it.
- Water! Water!
What a way to raise the crowd.
Sorry for coming right after your playing,
but I'm Iso Gai from 21 Music.
Could you spare some time to chat?
We did it.
We did it.
Yep.
I guess so…
I'm certain some of the audience will remember us.
I'm sure the audience will remember us.
- We really tore it up!
They loved us! And that guy\Nfrom a record company…
And even a record company rep reached out to us!
He just said we might have a chance.
I told you they are just estimating their chances.
New bands rise and fall just as quickly.
It's not something worth counting on.
I see.
I see.
We're a long ways away.
We have a long way to go.
If making a record is like going to the moon, we're now at Atami or more like Shinagawa
If releasing an album is like a trip\Nto the moon, we're still in Atami.
Even still, this person wanted to take us to the moon.
No, Shinagawa.
I need to get better.
Still, he invited us to go to the moon.
Yeah, we're barely able to afford our train tickets
I have to get better.
Tamada included, there's still lots more we can do.
Yeah. You can't buy a ticket\Non your own yet.
We should be able to become amazing players.
Tamada has to improve but we do too.
We can be even better.
Huh? Me?
Huh? Me?
I've thought this today as well, didn't your solo today sound the same as the others?
Like today.\NYour solos are always so similar.
They're the same?
Similar?
Solos are improvised. You gotta make it different each time.
Solos are ab-libbed.
Otherwise the listeners will get bored.
Without any variation,\Nthe audience will get bored of it.
What's important now is delivering an elevated performance.
For now,\Nwe need to play high-quality music.
It's not a problem if you do a good solo.
Good solos would do the job.
We've got enough risk to handle.
-We're already taking a risk with Tamada.\N-But…
- That's why I'm saying.
What matters is a winning performance.
More than a good performance, we need a winning performance.
That was our goal today.
Wasn't that the goal of today?
At my family's piano school,
During a piano class at home as a kid,
there was a girl a bit older than me.
there was a slightly more skilled girl there.
She had so much fun playing the piano.
She was always having so much fun playing the piano.
I started the piano because\NI saw her playing.
After seeing her play, it made me want to play too.
But one day,\Nher family did a moonlight flit.
That one day, she and her parents fled from home.
When she came to say goodbye, my mom said…
The last we saw her, she came to visit and my mother said:
Aoi, keep playing the piano.
Aoi-chan, please continue to play piano.
I will.
Okay.
Bye, Yuki.
Bye, Yuki-chan
I'm sure she quit.
There's no way she could continue to play.
We have to win in order\Nto keep playing music.
There are always conditions to playing music.
So that's why we have to win.
She's still playing.
She's still playing.
- Huh?
It's not about winning.\NI'm sure she's still playing the piano.
It's not about win or lose. She's definitely stil
Thank you for coming\Nto Katsushika the other day.
What did you think of JASS?
I was surprised. That tenor was powerful.
He drew you in and empowered you.
Thank you.
So why did you want me to be there?
Will you introduce us to So Blue?
For jazz musicians,\Nit's like the Tokyo Dome.
I know.
But I want to perform there in my teens.
You're being too cocky.
I can help you take a step forward,
but you're trying to take 100 steps here.
When I was in middle school,\Nmy mom took me to So Blue.
Since then,\NI've dreamed of performing there.
My friends wanted to be\Nsoccer and basketball stars,
but my only goal was So Blue.
I know it's a huge challenge.
But I've never taken music,
or performing at So Blue, lightly.
Uchiyama, what do you think?
He got my email address\Nfrom Kawakita-san, the guitarist.
He's sent five emails already.\NHe's still a student.
A student? He's either super confident\Nor simply stupid.
But he might be the kind of gifted youth\Nyou're always talking about.
THIS IS TAIRA OF SO BLUE
It's him!
What is it, Yukinori?
I got a reply after my fifth email.
They're coming to our next gig.
Wow.
Which girl did you woo this time?
Yeah, which?
I bet a hottie with big tits.
Aw, come on! The sax is way cooler.
All right! Let's go all out, as usual.
JASS DRESSING ROOM
The crowd loved us again.
I thought I nailed that fill.
COME TO BAR JOY\NTAIRA
What do you think?
Sorry. I have to go.
A girl, for sure.
There you are! Yukinori!
Can I have your autograph?
Sorry.
Can I have your autograph?
Of course.
Thank you.
-You're getting better.\N-What?
You've improved in the eight months\Nsince your first performance.
I came to listen to\Nyour growing drum skills.
Hello.
Um… I'm Sawabe.
I'm Taira. Nice to meet you. Take a seat.
Thank you.
Thanks for waiting.
Care for a drink?
Anything's fine.
So… what did you think?
Did you like our music?
The drummer is a beginner.
He got by with the bare minimum,\Nwithout any solos.
But he was trying so hard.
It was actually endearing.
I see… Tamada…
The tenor was intriguing.
He has the power to deliver his music,\Nand his sound is also unique.
Intriguing indeed.\NI think he has a future.
Yes. He's one in a million.
But you… were no good.
What?
You rely on finger techniques.\NCorny melodies.
A boring performance all around…
Boring?
We believe we're the best club in Japan.
Are you mocking us?
Of course not. I'm…
Are you scared?
Solos are where you can\Nexpress yourself inside and out
and bare your soul.
You're not only mocking music,\Nbut you're also mocking people.
Your flippant attitude\Ntoward the bartender…
Not properly introducing yourself to me…
Using Kawakita-san to try\Nto get an offer from us…
The utter lack of humility\Nin your demeanor and attitude…
I'm sorry, but my answer is no.
Put his drink on my check.
Wow… He was so blunt…
He told me what I needed to hear.
This place lives up to its name.
Hello.
The piano? Go ahead, but I'm going home.
We're closed tomorrow, anyway.
Can I play as long as I want?
Bare my soul, huh?
Oh, my.
You practiced for two whole days?
Yes.
And?
I'm still lost.
I have to talk to them.
It's not what I expected.
What did you expect?
Something more stylish than this.
This is me.
So what did you wanna talk about?
You see… Someone from So Blue\Nwas watching us the other night.
Are you serious?
I asked him to come.
I see. And?
You guys impressed him.
But me… He said my solo was crappy.
Is something wrong with his hearing?
He said I rely on finger techniques.
I tried to do something about it\Nthese last three days, but I couldn't.
I burned our bridge to So Blue.\NI'm so sorry.
Yukinori…
You agree with him, don
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